Freyja: The Seven Stories of the World: [4] Limits




The Thief takes her hand. He leads her away from her refuge, to the top of a nearby ridge. They arrive by starlight alone as the final traces of light fades from the sky. He gathers an armful of tree litter and lights a fire. She sits on a flat rock warmed by the glow.

Freyja and the Thief sit silently watching the Milky Way light the sky, slowly moving across the sky. The soft golden glow of the fire and the dark blues of the high sky touch their faces.
Freyja whispers, "I feel everything moving."
He throws another branch onto the fire, hot, bright embers sweeping into the sky.
She continued, "It is Friday. Friday is my day, the day named in honor of me, the goddess of release and abandonment. I want you to tell me a story of love. I want you to tell me a story that stirs passion and awakens desire."

This story is the Thief's fourth, told on the day they called Friday, in honor of the wild female goddess, Freyja. 
Freyja looks at the Thief and motions for him to start.

The Thief speaks:
People across the world wait for Friday and venerate it as the last day of the working week, the day on which most are released from the modern curse of wage slavery. People hunger for Friday night. They imagine themselves dancing in freedom, or dancing vicariously, in the reflected light of the young. 
On Friday night, we imagine speaking words of love and play. Yet, when put to the test, few of us have words to describe the feelings engendered by love, whether in quiet passion or willful abandonment. Instead, an industry of writers in the modern era continually strive to broaden the lexicon of love through poetry and song. But most of us fail, remaining enslaved by a few well-worn staples. We murmur those silly love songs over and over; those words that feed quiet passion and dreary sentimentality alike.
Even as I weave this spell about freedom, we only perceive that condition through limits. 
This story is about a man and a woman who time (and historians) forgot. It is also the story about the intersection of two great stories, and how they changed the world. 
All those in the story are long gone to the stars. 
Some say that the victors write history. But sometimes we forget the names and stories of the victors while lies and petty squabbles of academics pollute the present. Do not allow the future to be beholden to such minds.

Imagine a woman. Patyegarang, the gray kangaroo, is guardian to the knowledge of the Eora, the people of the land. From her earliest days, she was taught the sky's stories until morning washed the shores of the edge of time. The eyes of the young were valued then because they were uncompromised by the hardship of age. She knew how the stars rotated through the nights and seasons, around the pivot point in the skies from which the southern winds blew. She knew the names of the bright stars, could distinguish the faint star clusters (Molumolu). She studied the two close galaxies that can be seen from the land, Calgalleon (Cal-gal-le-on) and Budoenong (Bu-do-e-nong). Today we call them the two Magellanic Clouds, and which only a handful of the modern people, and even fewer academics, have seen for the looking.
Imagine a man. Dawes was a seeker of knowledge. He traveled to a far off country, to study the return of Halley's Comet, a quest destined to failure because of the confusion of other people. Dawes came to Patyegarang's land and separated himself from the noise of colonial settlement. He moved out of range of shouts from the Governor's men to a distant point, into the great harbor on which they had settled. There he built a building, a long room with wood, five long paces long by four paces connected to a circular room on rocks behind the building, three paces in diameter. Above the walls of the round room, he built a rotating roof. From there, he could see the sky and covered it against the weather with heavy sail canvas.
Patyegarang watched him, wondering at Dawe's interest in the stars. 
The man was the first fleet astronomer, William Dawes. Into his world stepped Patyegarang, an Eora woman. 
Patyegarang came to his house and asked him about his interest in the stars, but he could not make understandable words. So, she set about the difficult task of teaching him how to speak. He was not beyond teaching. He was a thoughtful man, trained to make careful observations. He had an absolute belief in science and had been taught in war and peace the value of study and complete loyalty. He spent his night times studying the stars from the observatory room and keeping detailed records of the weather.
The man and woman met on the edge of their civilizations. They were together for a couple of years, and then they were sundered apart. 
During that time, Patyegarang taught him many words. Dawes wrote their story slowly, every night, by a candle in his diary. Every night, as he learned her language, she would call on him to put the candle out. She refused to learn his language. At first, she taught him the names of the four winds and then the phases of the moon and sun, and then she spoke to him of the stars. 
(The Thief stood and fed the fire. Hands-on hips, he turned to her, standing deliberately between her and the glow of the fire. Freyja felt the cold, and cocked her head, and demanded that he move. He asked, "You feel the touch of cold when I stand between you and the fire." She nodded. He moved a little, allowing the warmth of the fire to fall again on her and the golden glow to return to play on her face. He continued, "The first people had words for things we do not. That touch of cold, caused by the deliberate removal of the warmth of the fire is Ŋyínadyımíŋa.")
Dawes started to call her Patye. One dreary day, beset by rain, he began to transcribe bits of his diary. He took each of the words she had ever used, and wrote them in the notebooks, and annotated each with the meaning they had agreed upon, the Eora language. We have misplaced his diary but still have his notebooks.
After a downpour of rain, she removed her clothing and stood by his fire naked. He asked to put her clothes on, but she refused. She said, "Gore dyú tágarın." At first, he thought she meant that she did it to take off the cold, but later, he understood that she stood naked in order to get warm sooner. 
He asked about the ritual scarring on her breasts and the loss of the little finger on her left hand. She asked him what she meant to him.
Then they talked of love. 
She taught him the words we use every day and some of the things we no longer understand or forget we once understood.
She taught him "putuwá" (poo-too-wor): to warm one's hand by the fire and then to squeeze the fingers of another person gently. She taught him "boamere" (bo-a-mere): to blow with your breath. She taught him to play, to sing, to wink, to laugh, to tickle, to pinch, to bite, to hug, to kiss, and to breathe. She taught him to walk, to talk about last night, and to fly. She taught him to undress and how to make love. She taught him about dreams and tomorrow. 
She taught him about relationships: how two are enough. She taught him of sweethearts, of partnerships forged by time, and of relationships forged by place. And he told her he would stay for a very long time.


But it was not to be. 
Relations between the settlers and the Eora deteriorated. One day, Dawes said that if Patye washed often, she would become white. She threw down the towel as in despair, and said, "Tyerabárrbowaryaou" (I shall not become white). 
On another occasion, Dawes asked her why her people had attacked a settler. Patyegarang responded, "Gūlara" (Because they are angry.)
Dawes asked, "Mínyın gūlara eóra?" (Why are the Eora angry?)
She replied, "Inyám ŋal wí̇ white men. Tyérun kamarıgál" (Because the white men are settled here. The kamarigals are afraid.)
He said “Mínyın tyérun kamarıgál? (Why are the kamarıgal afraid?)
She replied, "Gu̇ nın." (Because of the guns.)
When violence led to bloodshed, the Governor insisted that Dawes accompany an armed retaliatory band to kill Eora, without compassion. Dawes initially refused, only agreeing when the matter came to a crisis. He navigated the troop into the bush and away from the Eora. When they returned to town, Dawes angrily criticized the Governor. His principled stand against arbitrary violence at the hands of a senior officer serves as a salutary lesson in humanity. The Governor sent him back to England. 

But Patye had one more word to teach Dawes: "Galgalla "(smallpox). Galgalla spread through the ranks of her people, killing most without remorse.
Dawes has not told us what happened to Patye in his journals, and his diaries have not yet been found. The story of their love and the names of the stars told him by Patye, and recorded in his diaries are still missing in some untapped box in a library or private collection. Slowly his other diaries, metrological records, letters to Greenwich, and reminiscences of other colonials are emerging. Or perhaps the story has been blown like leaves before a hurricane in Antigua.
But this man, who could not bring himself to write about the past, went on to join Lord Wilberforce's campaign to abolish slavery and worked to that end as a private citizen and sometimes Governor himself until he died impoverished. When the anti-slavery movement required actual support, he gave it, tipping the balance and changing the world.
Lord Wilberforce once said of Dawes, "I don't believe there is in the world a more solid, honest, indefatigable man, more full of resources and common sense." But credit here is more widely to be shared.

Freyja lay back on the rock, letting his voice die into the distance. A train called across the valley. The rising moonlit the forest on one side of the ridge, and the tollway to Ware lit the other. 
The Thief had been stoking the fire, and she could feel the heat of the coals hot and white blue. She looked into the deep black northern sky, searching for a hint of her face. 
She heard herself thinking, "Compose yourself when looking into the mirror."
But Freyja could not compose herself. She lifted herself back and said to him, "I am confused. Why did you tell me that story? I do not ask you to educate me; I want you to entertain me."
He said, "I am telling you the seven stories of the world; what makes us human. I am not telling you how to kiss a fisherman."
Dimly, lightning flashed in her eyes, and he smiled, "Let me go."
She shakes her head, "No."




Index to the story cycle



[image: Wisdom, abstract 2020]

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